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On Any Sunday
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On Any Sunday : ウィキペディア英語版
On Any Sunday

''On Any Sunday'' is a 1971 American documentary feature about motorcycle sport, directed by Bruce Brown. It was nominated for a 1972 Academy Award for Documentary Feature.〔(【引用サイトリンク】title=NY Times: On Any Sunday )
This documentary follows the lives of motorcycle racers and racing enthusiasts. Brown tried to show the unique talents needed for the different forms of racing. For instance, the motocross riders were typically free-spirited types, while desert racers were often loners. In Grand National racing, Brown showed the differing personalities, such as the business-like approach to racing displayed by Mert Lawwill versus the carefree approach that wild young rookie David Aldana became known for.
Steve McQueen is featured in the film, along with Mert Lawwill, Malcolm Smith and many other motorcycle racers from the late 1960s and early 1970s.
From a historical perspective, the motorcycles featured in the film include Triumph, Husqvarna, Harley Davidson, Honda, Yamaha, Suzuki, and other manufacturers that are still in business or gone by the wayside such as BSA, Bultaco, and Hodaka.
==Production==
The film was financially backed, in part, by Steve McQueen through his "Solar Productions company", which received credit in the final seconds of the film.
Bruce Brown on filming method:
"At times I’d have a particular shot in mind. For example, I wanted to shoot a muddy motocross race and show the riders with mud all over them. First you have to be at a motocross race when it rains, then you have to find a good location to shoot. We tried and tried to get a shot with a rider caked with mud. We finally did get the shot, but for a while it seemed like we never would."
Some of the most dramatic shots of the movie were the extreme closeup slow-motion segments of the Grand National races. From his surfing movie days, Brown was used to working with super telephoto lenses. The budget didn’t allow the expense of high-speed cameras, so Brown improvised by using 24-volt batteries in the 12-volt film cameras. The result was a makeshift high-speed camera. Brown also used a helmet camera on some of the riders, one of the first times something like that had been attempted. This was before the days of miniature cameras and the set-up was often quite bulky on the rider’s helmet.
At one point, Bruce Brown found a perfect location for a sunset beach riding shot — Marine Corps Base Camp Pendleton.


"I figured there would be no way to get approval to film on the Marine base," Brown recalls. "Steve McQueen said he’d see what he could find out. The next day he called and told to contact some General and the next thing you know we are shooting the beach sequences. It was pretty amazing the doors he was able to open."〔(【引用サイトリンク】publisher=www.brucebrownfilms.com )
This beach scene is used for the final scenes of the film with Brown filming McQueen, Lawwill, and Smith riding in the setting sun.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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